塞外的寒漠與荒冷在春天的時候
終於柔順成江南最溫婉的
垂柳在風中搖曳時，蓮花般的歌聲
從竹林深處傳來
在光影交疊的黃昏
夕陽墨般暈開，在黝黑的瓦片上
時間疊著時間向安靜的屋檐下降
彷佛誰的心事，沈默如簷下的陰影
結著繁密的蛛蜘網
誰都沒有見過。我在臺北的高樓
一一揣測那些陌生的季節與心情
酷熱三十六度的仲夏
用一枝冬天剛剛換毛的狼毫
在兩岸關係急速降溫的詭譎氣氛中
細細抄著自己
用愛情隱喻政治的
年輕時寫的新詩
1995年7月1日 寫於詩硯齋
收錄自侯吉諒《交響詩》詩集
2009-10-03
2009-10-01
羅紋畫荷 Lotuses on textured paper
菡萏香生墨雨中，半池花影若浮空，花間記得鴛鴦睡，可是田田荷葉東。
壬午冬用王國財羅紋畫荷，宜工筆宜寫意，復讀甌香館題畫詩，快意酣然紙上。
Fine brush or freehand techniques both bring lotuses to life on textured paper.
壬午冬用王國財羅紋畫荷，宜工筆宜寫意，復讀甌香館題畫詩，快意酣然紙上。
Fine brush or freehand techniques both bring lotuses to life on textured paper.
水法荷花 study in color depth
前人畫荷宋人工筆已盡物情，明青藤白陽擅寫墨荷，酣暢淋漓，最得筆墨之趣。壬午冬寫意，得用水之法。
Master painters of the Song and Ming Dynasties excelled in painting the lotus.
One of their secrets was using the right combination of water and ink. This painting helped me discover the ideal combination.
Master painters of the Song and Ming Dynasties excelled in painting the lotus.
One of their secrets was using the right combination of water and ink. This painting helped me discover the ideal combination.
人間第一香 The most fragrant thing on Earth
競誇天下無雙艷，獨佔人間第一香。唐皮日休詩句，詠花王牡丹，壬午冬寫此自覺當之。
A Tang Dynasty poet wrote that the Earth holds nothing more beautiful or fragrant that a peony.
A similar sentiment applies to the subject of this painting.
A Tang Dynasty poet wrote that the Earth holds nothing more beautiful or fragrant that a peony.
A similar sentiment applies to the subject of this painting.
2009-09-27
疏池種芙蕖 Lotus in a pond
古今畫荷，當以張大千為第一，其詩疏池種芙蕖，當軒開一萼，暗香襟袖聞，涼風吹燈坐。境界亦高。
Chang Dai-chien stands first among ancient and modern painters. His poems are also beautiful.
This painting was inspired by a poem on one of his paintings.
Chang Dai-chien stands first among ancient and modern painters. His poems are also beautiful.
This painting was inspired by a poem on one of his paintings.
紫蓮含羞吐紅艷 Light purple lotus
嫋嫋凌波寫紫蓮，含羞葉下吐紅艷，翠蓋翻飛春風去，羅紋紙上惜餘香。
荷花之美以風姿難狀、清香無形最為技窮，壬午冬日花興在樂音茶香中，試以工筆追摹其境其情。
No word describes the shape of the lotus flower; nor can any shape convey its fragrance.
This is why painting lotuses is difficult. I try my best using fine brushwork.
荷花之美以風姿難狀、清香無形最為技窮，壬午冬日花興在樂音茶香中，試以工筆追摹其境其情。
No word describes the shape of the lotus flower; nor can any shape convey its fragrance.
This is why painting lotuses is difficult. I try my best using fine brushwork.
2009-09-23
紅艷凝香帶露開 Dew on a fragrant, red lotus flower
紅艷凝香帶露開，春風拂檻入簾來，羅紋風華吹不散，詩情畫意共徘徊。
西元貳零零貳年王國財兄新製仿宋羅紋，簾深如夢，色雅古穆，壬午冬日工筆寫荷，心手甚相應，因借前人詩句改作題之。
Textured paper outshines even ancient paper for showing colors. It is perfect for a fragrant, red lotus flower in fine brushwork.
西元貳零零貳年王國財兄新製仿宋羅紋，簾深如夢，色雅古穆，壬午冬日工筆寫荷，心手甚相應，因借前人詩句改作題之。
Textured paper outshines even ancient paper for showing colors. It is perfect for a fragrant, red lotus flower in fine brushwork.
2009-09-22
金宣紅荷 Red lotus on golden Xuan paper
綠影遷延舞袖遲，恍如金粉散琳池。壬午夏王國財精製金箋，係以金粉混入紙漿，
異於古法，華麗光釆過之，且受墨承色、重墨潑彩寫意工筆俱現毫顛，無異畫者神兵。
Mr. Kuo Ts’ai Wang uses gold dust to make his golden Xuan paper, improving on the techniques of ancient craftsmen.
It summons the Muse to help any artist using it.
異於古法，華麗光釆過之，且受墨承色、重墨潑彩寫意工筆俱現毫顛，無異畫者神兵。
Mr. Kuo Ts’ai Wang uses gold dust to make his golden Xuan paper, improving on the techniques of ancient craftsmen.
It summons the Muse to help any artist using it.
羅紋沒骨寫荷 Supple lotus on textured paper
綠萍池沼裡，初見第一花。壬午冬用王國財精製羅紋沒骨寫荷，改楊萬里詩題之。
A single lotus rises from a pond green with lotus leaves.
A single lotus rises from a pond green with lotus leaves.
2009-09-13
磁青紙金荷 Golden lotus on midnight blue paper
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