顯示具有 荷必有花 標籤的文章。 顯示所有文章
顯示具有 荷必有花 標籤的文章。 顯示所有文章

2014-08-03

〈筆隨風飛葉翩躚〉

筆隨風飛葉翩躚
淡勾白荷擬水仙
羅紋簾深幽夢裡
頻得新詩題畫卷





2014-07-16

金池種碧蓮

金池種碧蓮,暗香撲面來;
燦亮迎朝陽,艷色年年在。


2014-07-07

新詩墨荷四開冊之五

晨花初放
猶帶露水
在陽光下搖曳


2014-07-06

新詩墨荷四開冊之四

露水在荷葉滾動
和著花香
慢慢發酵成詩
在風中散開


2014-07-03

新詩墨荷四開冊之三

    這樣絕世的美麗
    彷彿帶著仙氣
    在月光中冉冉上升
    再悄悄下降
    凝結成露珠


2014-07-02

新詩墨荷四開冊之二

   卷荷忽被微風觸
   瀉下清香露一杯


2014-07-01

新詩墨荷四開冊之一

   最是盛開的花色
   當微風卷動情思
   竟有一種嬌羞的溫柔
   彷彿初戀的詩意

2010-04-01

荷必是花_侯吉諒詩畫印小品

清晨的陽光氣味如夢
荷花終於在昨夜的露水裡開了
遠霧中的山水迷濛未醒
在白楊與垂柳之間
有人
看見花開的聲音

2009-10-01

羅紋畫荷 Lotuses on textured paper

菡萏香生墨雨中,半池花影若浮空,花間記得鴛鴦睡,可是田田荷葉東。
壬午冬用王國財羅紋畫荷,宜工筆宜寫意,復讀甌香館題畫詩,快意酣然紙上。

Fine brush or freehand techniques both bring lotuses to life on textured paper.


水法荷花 study in color depth

前人畫荷宋人工筆已盡物情,明青藤白陽擅寫墨荷,酣暢淋漓,最得筆墨之趣。壬午冬寫意,得用水之法。
Master painters of the Song and Ming Dynasties excelled in painting the lotus.
One of their secrets was using the right combination of water and ink. This painting helped me discover the ideal combination.


人間第一香 The most fragrant thing on Earth

競誇天下無雙艷,獨佔人間第一香。唐皮日休詩句,詠花王牡丹,壬午冬寫此自覺當之。
A Tang Dynasty poet wrote that the Earth holds nothing more beautiful or fragrant that a peony.
A similar sentiment applies to the subject of this painting.


2009-09-27

疏池種芙蕖 Lotus in a pond

古今畫荷,當以張大千為第一,其詩疏池種芙蕖,當軒開一萼,暗香襟袖聞,涼風吹燈坐。境界亦高。
Chang Dai-chien stands first among ancient and modern painters. His poems are also beautiful.
This painting was inspired by a poem on one of his paintings.


紫蓮含羞吐紅艷 Light purple lotus

嫋嫋凌波寫紫蓮,含羞葉下吐紅艷,翠蓋翻飛春風去,羅紋紙上惜餘香。
荷花之美以風姿難狀、清香無形最為技窮,壬午冬日花興在樂音茶香中,試以工筆追摹其境其情。

No word describes the shape of the lotus flower; nor can any shape convey its fragrance.
This is why painting lotuses is difficult. I try my best using fine brushwork.


2009-09-23

紅艷凝香帶露開 Dew on a fragrant, red lotus flower

紅艷凝香帶露開,春風拂檻入簾來,羅紋風華吹不散,詩情畫意共徘徊。
西元貳零零貳年王國財兄新製仿宋羅紋,簾深如夢,色雅古穆,壬午冬日工筆寫荷,心手甚相應,因借前人詩句改作題之。
Textured paper outshines even ancient paper for showing colors. It is perfect for a fragrant, red lotus flower in fine brushwork.


2009-09-22

金宣紅荷 Red lotus on golden Xuan paper

綠影遷延舞袖遲,恍如金粉散琳池。壬午夏王國財精製金箋,係以金粉混入紙漿,
異於古法,華麗光釆過之,且受墨承色、重墨潑彩寫意工筆俱現毫顛,無異畫者神兵。
Mr. Kuo Ts’ai Wang uses gold dust to make his golden Xuan paper, improving on the techniques of ancient craftsmen.
It summons the Muse to help any artist using it.


羅紋沒骨寫荷 Supple lotus on textured paper

綠萍池沼裡,初見第一花。壬午冬用王國財精製羅紋沒骨寫荷,改楊萬里詩題之。
A single lotus rises from a pond green with lotus leaves.